ARTS IN SOCIETY. BEING AN ARTIST IN POSTFORDISM TIME

publication, 2009
-In his contribution to this publication the Italian philosopher Paolo Virno argues that art has been dissolved in society like an effervescent tablet in water. The arts have become an essential component of the post-Fordist production process and have to a large degree lost their autonomy. Taking up the challenge of the views of Virno, Hardt and others concerning the place and function of art in society, this book’s authors consult high-profile international figures from various artistic disciplines and endeavour to gain insight into the changing circumstances in which today’s creative processes arise and take shape.
The ways in which the world of art has evolved in recent decades is traced in discussions with, among others, the visual artists Michelangelo Pistoletto and Thierry De Cordier, choreographers Anne Teresa De Keersmaeker, Sang Jijia and Willy Tsao, theatre director Pippo Delbono and pop musician Matthew Herbert.
 Arts in Society sketches a provocative impression of the manner in which prominent artists, theorists and art intermediaries relate to economic, political, social and ecological issues. It presents an instructive narrative about power and impotence, cynicism and utopia, and nihilism and engagement aimed at all those who presently dare to call themselves artists and everyone who wants to understand and defend the importance of the role of the arts in society.

 In association with the Research Group Arts in Society, Fontys College for the Arts 
Pascal Gielen and Paul De Bruyne (eds.), NAi-Publishers: Rotterdam, 2009.
With texts by Luigi Coppola, Marie-Josée Corsten, Michael Hardt, Gert Keunen, Rudi Laermans, Sonja Lavaert, Karel Vanhaesebrouck