tag:blogger.com,1999:blog-26266319754150413102024-03-12T18:44:58.956-07:00LUIGI COPPOLAl.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comBlogger34125tag:blogger.com,1999:blog-2626631975415041310.post-18181765536080207612018-06-14T06:21:00.000-07:002019-01-31T09:18:22.030-08:00EVOLUTIONARY POPULATIONS # 2 Utrecht<i>Evolutionary Populations: seeds of the world waiting to germinate</i><br />
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<i>BAK basis voor aktuele kunst Utrecht </i></div>
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<i>research, exhibitions and performative conference as part of</i></div>
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<i>Fellowship programme 2017- 2018</i></div>
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<i><a href="https://www.bakonline.org/person/luigi-coppola/" target="_blank">Fellowhip research trajectory</a> </i><br />
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<span class="s1">After 30 years living in Syria, at the head of the research team that, together with local farmers, was experimenting with the participatory genetic evolution of cereals, in 2013 geneticist Salvatore Ceccarelli is forced to abandon his research due to the outbreak of the civil war.</span></div>
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<span class="s1">Few years before he managed to bring with him a small quantity of seeds to Italy, hundreds and hundreds of varieties, harvested and reproduced by Syrian farmers. </span></div>
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<span class="s1">Those very same seeds were planted all over Italy and whithin a few years the practice of seed-mixing and participatory genetic evolution started to spread more and more shaking the cultural certainties tied to the concepts of monoculture, uniformity and genetic selection.</span></div>
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<span class="s1">The revolutionary potential of evolutionary populations lies within the ability to respond ethically to the major agroecological challenges of the present: ensuring food security despite climate-related uncertainties, promoting agrobiodiversity in order to improve the nutritional characteristics of the crops themselves and giving control of the seeds back to the farmers thus creating strong participatory and commoning dynamics.</span></div>
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<span class="s1">Evolutionary populations have the ability to evolve over time, to adapt to climate and soil changes, leaving it to the earth to choose the varieties to grow. This agricultural choice lends itself to becoming a metaphor on how to welcome diversity without prejudice, an idea capable of subverting existing power hierarchies.</span></div>
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<span class="s1">Cultivating the idea of evolutionary population entails making a basic cultural choice, simple and revolutionary, that of escaping the logic of having control over nature, of uniformity and monoculture and embracing the concepts of intraspecies hybridization, contamination, circulation and complexity.</span></div>
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<span class="s1">The installation reassembles, according to a design that symbolically refers to the complexity of nature, hundreds of spikes of evolutionary population wheat both hard and soft grown, coltivati in Utrecht, grown in Utrecht, on the terrace of the new Bak building, as the first verification of the adaptability of evolutionary populations to the environmental conditions of the Netherlands. </span></div>
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<span class="s1">While a mixture is generally identified with the idea of disorder. The artist, with this symbolic action, wants instead to refer to the idea of a higher order, of necessary complexity.</span><br />
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-32648586193351995492018-06-01T06:18:00.000-07:002018-10-02T06:27:03.247-07:00EVOLUTIONARY POPULATIONS #1 TORINO<i>Semi di un mondo che attende di germinare </i><br />
<i>Fondazione Merz Torino</i><br />
<i>In Meteorite in Giardino, 11</i><br />
<i>7 giugno - 16 settembre 2018</i><br />
<i>a cura di Maria Centonze e Willy Merz</i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTX9bKsCzOGZWKV2VU5aSpbe_YqcP0DpJv1_ZnQ_-Ae-312kETSoTciP0bFIl3F8XI_HddJjWAiOBm-8FGC3_dhS7I74qUEwaL1-YwPjNXztInouCLWYyF71H3anuB5OGZlOS4S0JQOXY2/s1600/pop+evol+merz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTX9bKsCzOGZWKV2VU5aSpbe_YqcP0DpJv1_ZnQ_-Ae-312kETSoTciP0bFIl3F8XI_HddJjWAiOBm-8FGC3_dhS7I74qUEwaL1-YwPjNXztInouCLWYyF71H3anuB5OGZlOS4S0JQOXY2/s640/pop+evol+merz.jpg" width="640" /></a></div>
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<span class="s1">Coltivare l'idea di <i>popolazione evolutiva</i> significa fare una scelta culturale di fondo, semplice e rivoluzionaria, sfuggendo alle logiche della dominazione della natura, dell’uniformità, della monocultura e abbracciando logiche di ibridazione intraspecie, contaminazione, circolazione e complessità. </span></div>
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<span class="s1">Alla Fondazione Merz l'installazione ricompone, secondo un disegno che rimanda simbolicamente alla complessità della natura, centinaia di spighe di <i>popolazione evolutiva </i>di grani duri e teneri<i> </i>coltivata in Salento insieme al collettivo di <i>Casa delle Agriculture</i>, con cui Coppola lavora da cinque anni </span><span class="s3"> su pratiche di agricoltura rigenerativa, di attivazione sociale, politica e culturale della comunità.</span></div>
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<span class="s1">Il miscuglio in generale è identificato con l’idea di disordine. L’artista con questa azione simbolica vuole invece rimandare all’idea di ordine superiore, di complessità necessaria. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVf0N8uZQgwwmiqLAvPTgcCgPia3J-_wdRqplYVfJ_O_vp5YQo44WHp0rO5KcIuQhzGbKxdwdDv4PazaW9FYYbzNPlm3vTx8IQqPyAeoUa_Q9YKzzF1MziYmJshvC43HSK-R2m2s3-uKQM/s1600/prep+installazione+2+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVf0N8uZQgwwmiqLAvPTgcCgPia3J-_wdRqplYVfJ_O_vp5YQo44WHp0rO5KcIuQhzGbKxdwdDv4PazaW9FYYbzNPlm3vTx8IQqPyAeoUa_Q9YKzzF1MziYmJshvC43HSK-R2m2s3-uKQM/s640/prep+installazione+2+.jpg" width="480" /></a></div>
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<span class="s1">EN </span></div>
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<span class="s1">Evolutionary Populations</span></div>
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<span class="s1">Seeds of a world waiting to germinate</span></div>
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<span class="s1">The revolutionary potential of evolutionary populations lies within the ability to respond ethically to the major agroecological challenges of the present: ensuring food security despite climate-related uncertainties, promoting agrobiodiversity in order to improve the nutritional characteristics of the crops themselves and giving control of the seeds back to the farmers thus creating strong participatory and commoning dynamics.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1">Evolutionary populations have the ability to evolve over time, to adapt to climate and soil changes, leaving it to the earth to choose the varieties to grow. This agricultural choice lends itself to becoming a metaphor on how to welcome diversity without prejudice, an idea capable of subverting existing power hierarchies.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1">Cultivating the idea of evolutionary population entails making a basic cultural choice, simple and revolutionary, that of escaping the logic of having control over nature, of uniformity and monoculture and embracing the concepts of intraspecies hybridization, contamination, circulation and complexity.</span></div>
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<span class="s1"></span><br /></div>
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<span class="s1">The installation present at the Merz Foundation reassembles, according to a design that symbolically refers to the complexity of nature, hundreds of spikes of evolutionary population wheat both hard and soft grown in Salento together with the collective of Casa delle Agriculture (House of Agriculture), with which Coppola has been working for the past five years on the practices of regenerative agriculture as well as social, political and cultural activation of the community.</span></div>
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<span class="s1">While a mixture is generally identified with the idea of disorder. The artist, with this symbolic action, wants instead to refer to the idea of a higher order, of necessary complexity.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsZgVDQl16UOhdPMOxYVXSByCrW-GRumVO7-fOcU_EjW1RB9Tdf_zZBpGX3wZe8ZCQi5HsP51qjIFZ-wLrFsK6ZdFgm6Q2KMrcgY0UDiZq-N2mKo2mOBT1MQQJF_jBF2HNrdwLLrr8G8RT/s1600/Fondazione_Merz_21_06_18-27+Lucrezia+Goria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsZgVDQl16UOhdPMOxYVXSByCrW-GRumVO7-fOcU_EjW1RB9Tdf_zZBpGX3wZe8ZCQi5HsP51qjIFZ-wLrFsK6ZdFgm6Q2KMrcgY0UDiZq-N2mKo2mOBT1MQQJF_jBF2HNrdwLLrr8G8RT/s400/Fondazione_Merz_21_06_18-27+Lucrezia+Goria.jpg" width="400" /></a></div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-40696988016302125412016-09-14T05:57:00.000-07:002018-09-14T05:59:39.126-07:00DOPO UN'EPOCA DI RIPOSOAFTER AN EPOCH OF REST<br />
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<i>16 QUADRIENNALE D’ARTE, ROMA, 2016. In the exhibition DE RERUM RURALE curated by Matteo Lucchetti.</i></div>
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<i>insipired and dedicated to </i><b>Casa delle Agriculture</b><i> (Castiglione d’Otranto, Lecce)</i></div>
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<i>video HD and painted banners(2016)</i></div>
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<i>photo (optical bench): Francesco Quarta Colosso</i></div>
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<i>video editing: Luca Mattei</i></div>
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Luigi Coppola’s installation, comprised of a video and a series of painted banners, is a visual rendering of a process that has been underway since 2013 in the Salento ara, in Castiglione d’Otranto (LE, Italy) to be precise. Here the artist, together with the local association “Casa delle Agriculture”, has created the <i>Parco comune dei frutti minori</i>: a participatory project that has redeveloped areas used for fly tipping, converting them into cultivated areas focusing on biodiversity and the common good. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuk6UdK54EtUxPNdgERMZg39WUYyahekBTv-rc19a-avkbbjEOYsoc6y9YuDh9itq1m99ZTlFTgXv9tkuH6-FfLmcY2nS_n-pCHhgwyn7r6YP8kyxV0SO4Kdw3t240dclZVGcFk62w7ovh/s1600/Q16+Lucchetti_Coppola_26_DSC6581.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1068" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuk6UdK54EtUxPNdgERMZg39WUYyahekBTv-rc19a-avkbbjEOYsoc6y9YuDh9itq1m99ZTlFTgXv9tkuH6-FfLmcY2nS_n-pCHhgwyn7r6YP8kyxV0SO4Kdw3t240dclZVGcFk62w7ovh/s640/Q16+Lucchetti_Coppola_26_DSC6581.jpg" width="425" /></a></div>
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The concept of mixed seeding (evolutive population) practiced in the Parco Comune dei Frutti Minori, that allows the ground to “choose” which seeds to make grow, overturns mainstream agricultural practice and is also a metaphor for integration between migrant, asylum seekers and local community.</div>
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In the artwork the concrete utopia from Castiglione is confronted with the painted words on the banners, inspired by the book <i>News from Nowhere or an epoch of rest, </i> a work combining utopian socialism and soft science fiction written by the artist and socialist pioneer William Morris (1891)</div>
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In the novel, the narrator falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production. In this society there is no private property, no big cities, no authority, no monetary system, no courts, no prisons, and no class systems. This agrarian society functions simply because the people find pleasure in nature, and therefore they find pleasure in their work.</div>
l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-15980808997793166862016-05-14T06:08:00.000-07:002018-10-02T06:30:25.336-07:00SPIRIT OF COALITION<div class="p1">
<i>a project for Parckdesign 2016, Jardin Essentiel </i></div>
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<i>Luigi Coppola (concept and dramaturgy), Gabriel Mattei (composition and musical direction), Gregory Dapra / Stefano Faoro (visual design), Miriam Secco (performance assistant), Teresa Gentile (coordination)</i></div>
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<i></i><br /></div>
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<i>with the workers of Bruxelles Environnement/ Leefmilieu Brussel:</i></div>
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<i>Laurent Marchand Sound designer, Michel Hermans composition et saxophone alto, Quentin Stinglhamber, instruments électroacoustiques, Tallita Samurovic, violon, Aurélie Duliere, violoncelle / Christophe Steynen, piano /Rodolphe Paternostre, trompette</i></div>
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<i>Voices : Malcolm Eeman , Gery Hubin, Mathilde Sauzet Mattei, Martine Cantillon, Cecile Riffont, Eric Lacasse</i></div>
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<i>and the volunteers and the staff of Jardin Essentiel, Parckdesign 2016</i></div>
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<i>photos: Julie Guiches</i></div>
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Representing the thousands of people who work for the environment and common goods across diverse local communities of Brussels, the employees of Brussels Environment (IBGE) will be the protagonists of the closing event of Parckdesign2016.</div>
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Contemporary debates around the complex issues of preservation, access to, and distribution of essential resources need to be kept alive, fed by different perspectives and current observations. This is especially important for individuals with institutional responsibilities in this field.</div>
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Following a process of collecting musical and text ideas, a choral performance will stage the potential debates and paradoxes of the institution: how to think the individual, the employee, the member of a political authority as one of the drivers of a solidarity movement? And how could the institution be developed into a convergence of thoughts, actions and desires?</div>
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A place of exchange titled the Bureau of Precarious Coalition is set up from June onwards in the administrative offices of Brussels Environment to collect points of view and encourage expression. The ideas, actions and texts generated by the Bureau constitute the base material for the dramaturgy of the performance, mixing together harmonies and vocal dissonance.</div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-3146656807872105662016-05-14T06:05:00.000-07:002018-09-14T06:08:02.522-07:00RITORNO A SPINACETOCOME BACK TO SPINACETO<br />
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<i>in the programme MENTI LOCALI, together with Davide Franceschini. </i></div>
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<i>Fondazione Giuliani Roma e MIBACT, curated by Cecilia Canziani and Adrienne Drake, ROMA, 2017. </i></div>
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<i>With the students of Liceo Scientifico e Linguistico Majorana, Roma </i></div>
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<i><b>Documentation of the process:</b> <a href="https://ritornoaspinaceto.blogspot.com/" target="_blank">ritornoaspinaceto.blogspot.com </a></i></div>
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Nell’ambito di un lungo percorso di 5 mesi gli studenti insieme agli artisti hanno lavorato alla mappatura del quartiere di Spinaceto –realizzato nell’ambito del Piano Regolatore Generale a partire dal 1965–ricostruendone la storia per riscoprirne lo spirito utopico con cui era stato immaginato. I ragazzi hanno poi intervistato gli abitanti del quartiere per capirne le potenzialità e le mancanze. Infine, lavorando sul concetto di Utopia e sui testi di William Morris (1834–1896), fondatore del movimento Arts & Crafts, gli studenti hanno immaginato una società che nel futuro potesse ritornare nel quartiere e rifondarlo su basi comunitarie e egualitarie. A partire dalle narrazioni, sono stati elaborati due interventi artistici: uno nel parco campagna e uno nel centro che ospita la sede del municipio, luoghi che nel progetto originario di Spinaceto volevano indicare nella relazione tra natura e cultura una utopia realizzabile. Nel corso della settimana di residenza i ragazzi insieme agli artisti si sono presi cura di questi due luoghi degradati perché dimenticati, ma centrali per l’identità del quartiere. Li hanno puliti, curati e vi hanno realizzato due opere ambientali, che sono servite anche da sfondo per una serie di tableaux vivants in cui i ragazzi hanno interpretato una immaginaria società utopica del futuro. </div>
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Le opere prodotte e la documentazione dell’intero progetto sono state presentata nell’ambito di due mostre: una prima tappa si è svolta presso le due sedi della scuola e si è conclusa con la visita delle opere ambientali, introdotte dagli studenti. La seconda è uno sviluppo ulteriore del progetto presso la Fondazione Giuliani, con interventi in situ che risemantizzano e raccontano l’intervento nel quartiere.</div>
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Il processo ha prodotto anche una serie di opere fotografiche realizzate al banco ottico. </div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-46260346799537876642015-06-15T05:46:00.000-07:002015-12-02T06:17:19.731-08:00ORTO COMUNE<h4>
INSTALLAZIONE AMBIENTALE E PROCESSO COLLETTIVO, Valle Camonica (BS) Italia</h4>
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Aperto 2015_ art on the borders, in collaborazione con Ass. Case Sparse_ tra l'Etere e la Terra, Ass. ColtivarVivendo, Ass. Codadilana con il supporto del Distretto Culturale della Valle Camonica, Comune di Malonno, Parco Adamello, Istituto Comprensorio Malonno</h4>
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<i>Azione 1: Installazione ambientale. Alveo fiume Oglio, giugno 2015</i><br />
<i>Azione 2: Primo spostamento. Giardino didattico, Istituto comprensorio Malonno, semina cerali antichi, ottobre 2015</i><br />
<i>Azione 3: Secondo spostamento. Giardino didattico, creazione orto sinergico, agora didattica e innesto piante frutto varietà antiche</i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidXQ8rduwpqXPAxY52dCK-opvJNtOPYyq73ZNd-U9fT14Et90aDSA1j9Ex7tH9AV5-JtsN1M9i56enJoRJxsIGNSZJlVRzccZQ1m_VWgCJM1ZwNVqFqJ3AmdwUVtyuqMCLm3Dcm975F8of/s1600/03-Ortocomune.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidXQ8rduwpqXPAxY52dCK-opvJNtOPYyq73ZNd-U9fT14Et90aDSA1j9Ex7tH9AV5-JtsN1M9i56enJoRJxsIGNSZJlVRzccZQ1m_VWgCJM1ZwNVqFqJ3AmdwUVtyuqMCLm3Dcm975F8of/s640/03-Ortocomune.jpg" width="425" /></a>Le pietre del fiume, su cui sono state scolpiti i nomi di molte varietà locali di alberi da frutto e cereali, formano un inizio di percorso che dall’Oglio risale verso i centri abitati delle varie frazioni di Malonno in Valle Camonica.<br />
Le pietre costituiscono così un potenziale generatore di bene comune che risale la valle, nel senso inverso a quello delle acque, costruendo connessioni culturali, agricole, geografiche e di pensiero.<br />
Oltre alla riappropriazione e alla messa in comune del patrimonio di biodiversità, l’Orto Comune si propone di agire sull’immaginario collettivo, su un idea di varietà intesa anche in senso culturale e sociale. <br />
Le diverse varietà, nel corso del tempo, si pianteranno in diversi luoghi pubblici della valle, attivando collaborazioni con scuole, associazioni, istituzioni e cittadini. Le pietre segnaletiche dall’alveo del fiume saranno spostate nei vari orti comuni che nasceranno nel tempo e potenzieranno una rete di azione e dal basso che ha interesse al recupero e alla diffusione della biodiversità. <br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhncnSppxlIBryChneN7x7NoCy5sq-0djsSDUdXaoKC_nE5W7BpSc-kcz2vK9JPXr6QDoxEz8wqYirk4agUpU48OQrX5DFn0S5UfYkIEovjR3udRBun7yIp_j3ZnjkqOo_RVKJKSnHCwG07/s1600/19_OC.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhncnSppxlIBryChneN7x7NoCy5sq-0djsSDUdXaoKC_nE5W7BpSc-kcz2vK9JPXr6QDoxEz8wqYirk4agUpU48OQrX5DFn0S5UfYkIEovjR3udRBun7yIp_j3ZnjkqOo_RVKJKSnHCwG07/s320/19_OC.jpg" title="" width="320" /></a>L’atlante diffuso che si creerà nel corso del tempo non potrà essere esaustivo delle tante varietà. La ricchezza della biodiversità è per principio in evoluzione.<br />
Si tenderà a scegliere varietà antiche a cui i donatori potranno dare il nome. I semi e le varietà riprodotte saranno intese come bene di tutta la collettività territoriale.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHrLBf6pcosYUjSIZzj7JS-x_qGppg9h2lWtovyy-G_8bm0D_2TxKWNIVaD8IlrYtsDK3lks2mhTlYEwSDvDN0or5GvNSi83YrUMlwZxKLsc5mgrfhfDH9vzDXjflGG79IG-q5T2iun3Is/s1600/IMG_4622.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHrLBf6pcosYUjSIZzj7JS-x_qGppg9h2lWtovyy-G_8bm0D_2TxKWNIVaD8IlrYtsDK3lks2mhTlYEwSDvDN0or5GvNSi83YrUMlwZxKLsc5mgrfhfDH9vzDXjflGG79IG-q5T2iun3Is/s400/IMG_4622.jpg" width="266" /></a><br />
Simbolicamente il primo luogo in cui si è scelto di creare la prima cellula dell’OrtoComune è il giardino della Scuola. Insieme agli insegnanti con una equipe di agricoltori, artisti, pedagoghi ed esperti, abbiamo guidato gli studenti nella creazione di un giardino della biodiversità, in cui abbiamo seminato cereali antichi e creeremo un orto sinergico e pianteremo alberi di frutti di antiche varietà locali. Costruiremo anche un'agorà per la didattica all'aperto e per il gioco. <br />
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<br />l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-86319165252124142092014-10-13T14:57:00.001-07:002015-12-02T04:40:29.906-08:00MERCATO COMUNE DEI FRUTTI MINORI<div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font: normal normal normal 11.5px/normal Courier; line-height: 12.1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span class="Apple-style-span" style="font-size: small;"><i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">Ongoing project developed in Castiglione (Lecce) in collaboration with Free Home University , Casa delle AgricUlture Tullia e Gino with the support of Salento Km0, Parco Otranto - S.M. Leuca, citizens and </span></i><i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">associations of Castiglione d’Otranto (Lecce, Italy)</span></i></span></div>
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Social architecture: constructLab (Alex Roemer and Johanna Dehio)</span></i></div>
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Graphic design: Mauro Bubbico </span></i></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;"><span style="font-weight: normal;">Il
piccolo paese di Castiglione è diventato negli ultimi anni simbolo e
modello di una rinascita possibile di un territorio partendo dalle
pratiche di agricoltura organica, di attivazione sociale, politica e
culturale di una comunità intera, </span>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;"><span style="font-style: normal;">Il </span><i>mercato</i><span style="font-style: normal;"> nasce per trasformare il fermento culturale e sociale in
sostenibilità economica e sviluppo concreto del territorio, senza
naturalmente perdere di vista il tessuto comune e la spinta dal basso
che si è creata in questi anni di attività.</span></span></div>
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<span style="font-style: normal;"><span style="font-weight: normal;">Un
mercato che come principio valorizza la produzione e il consumo di
prodotti derivanti dall'agricoltura organica locale, ma allo stesso
tempo diventa presidio per la salvaguardia della biodiversità locale
e </span></span><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: #ffffff;">
laboratorio di costruzione e condivisione dei saperi, oltreché luogo
vivo di socializzazione e scambio.</span></span></span></span></span></div>
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<span style="font-style: normal;"><span style="font-weight: normal;">Il
mercato sarà organico con il Parco e con le altre pratiche iniziate
finora, da qui il nome </span></span><i><span style="font-weight: normal;">Mercato
Comune dei Frutti Minori</span></i><span style="font-style: normal;"><span style="font-weight: normal;">.
Minori sono le pratiche di agricoltura organica, le varietà
autoctone preservate, ma è proprio da quel minore crediamo sia
necessario ripensare completamente lo sviluppo.</span></span></div>
</span></div>
l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-45731573320031042912014-10-13T14:11:00.000-07:002015-12-02T04:41:04.918-08:00MASSES & MOTETS vol II<span class="Apple-style-span" style="color: #333333; font-family: "courier new" , "courier" , monospace; line-height: 18px;"><b>Esercizi di Coralità Politica /</b> </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><b>Exercises in Political Chorality</b></span><br />
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Dramaturgie: Anna Gojer</span></i></div>
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Coordination: Anna Gojer, Renate Ranze</span></i></div>
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Video Hundsturm and Photos: Renate Ranzi</span></i></div>
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Production: Hundsturm, Into the city / Wiener Festwochen festiva</span>l</i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiuxviUjB89gm_hyphenhyphenooInu1Nbc31GEFdaSaNI88qRU7NgM9qdpGdRbAwAgFZQE6qMI-6Vscjilpyl3RYQn3T_x9HkeRIhH_oDjDUc-7KXDpDIL3Idj51SOcAEy7nzKHmTTaRkii5c92NuSm/s1600/renate+02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiuxviUjB89gm_hyphenhyphenooInu1Nbc31GEFdaSaNI88qRU7NgM9qdpGdRbAwAgFZQE6qMI-6Vscjilpyl3RYQn3T_x9HkeRIhH_oDjDUc-7KXDpDIL3Idj51SOcAEy7nzKHmTTaRkii5c92NuSm/s1600/renate+02.jpg" width="266" /></a></div>
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Masses and Motets vol II is specifically conceived for the festival Into the City (Wiener Festwochen), reacting at the context created by Chto Delat? collective, in Schwarzenbergplatz in Vianna. </span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">The work lies in unveiling—uncovering histories and memories. </span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">The result of the laboratory with the slovenian choir, hip hop, spoken word and contemporary musician is a musical performance where the main figure is a “choir of witnesses”. Philosophers like Giorgio Agamben have theorized the position of the witness as the basis of ethico-political relations insofar as the witness answers to the suffering of others without usurping their place. Witnessing is a way of seeing and listening that requires an acceptance</span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">of vulnerability.</span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">How can we make room for the voices of those others to “appear” in public without attempting to speak for them?</span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">What about those who can speak—those who can bear witness, and those who cannot—or those who don’t have the possibility to appear, or who we painfully know will not re-appear?</span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">How can we welcome those others who address us from the deep wells of history and from the present memories of our democratic societies?</span></div>
</span></i></span>l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-56468100485947387042014-09-13T03:45:00.000-07:002018-09-14T06:14:01.706-07:00PARCO COMUNE DEI FRUTTI MINORI<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><br /></span></i>
<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">ongoing project / public art project, </span></i><br />
<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">1st collective action april 2014</span></i><br />
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Ongoing project developed in collaboration with Free Home University project, Casa delle AgricUlture Tullia e Gino, Parco Otranto - S.M. Leuca, citizens and associations of Castiglione d’Otranto (Lecce, Italy)</span></i></div>
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<i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Graphic design and signals: Mauro Bubbico with the students of ISIA Urbino</span></i></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">EN: Il Parco Comune has been created with the desire to celebrate the beauty and the awareness of the land, to build a better future, to rethink rural traditions and create new spaces for experimentation, and to live and work together.</span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">It’s a project for the regeneration of public land in the rural areas of Castiglione d’ Otranto, activated by the local community in collaboration with artists, thinkers, and radical farmers. The goal is to restore dignity to abandoned public areas destined to be waste landfills for inert materials, often harmful to our health, by converting them into common good.</span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Il Parco Comune was created on reclaimed land after the removal of waste, and some of Salento’s heritage fruit trees were planted: many varieties of figs, jujube, cornula, mountain ash, mulberry and various other native species to be protected and enjoyed. </span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><span class="Apple-style-span" style="font-size: small;">Rural areas are places of relationships between people and nature. They are opportunities for exchange of knowledge between generations and sharing diverse learnings; no longer marginal abandoned areas, they can become focal points in which to exercise and strengthen the bonds of community, social development, and sustainable forms of economy. The Common Orchard continues in the direction taken by local organizations to reclaim uncultivated land, public and private, to grow ancient crops and new experimental ones, such as hemp, in natural, traditional and </span><span class="Apple-style-span" style="font-size: small;">organic ways.</span></span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">IT: Il
<i>parco
comune </i>nasce
dal desiderio di<i>
</i>restituire
luoghi alla bellezza, alla memoria e al futuro, di ripensare la
tradizione rurale, di creare spazi di sperimentazione e riflessione,
con la consapevolezza del valore della terra, del lavoro e del vivere
insieme.</span><br />
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">E’
un progetto di rigenerazione di terreni pubblici nelle aree rurali di
Castiglione d'Otranto, attivato dalla comunità locale in
collaborazione con artisti, pensatori e agricoltori radicali, al fine
di ridare dignità ad aree pubbliche abbandonate e meta di discariche
di rifiuti e materiali inerti, spesso dannosi alla salute, per
convertirle in bene comune.</span><br />
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Il
parco nasce su terreni bonificati da cui sono stati rimossi i
rifiuti, per lasciare spazio al patrimonio frutticolo salentino: le
molteplici varietà di fichi, il giuggiolo, la cornula, il sorbo, i
gelsi e tanti altre specie autoctone da proteggere e gustare.</span></div>
<div style="margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace; font-size: small;">Le
aree rurali sono luoghi di relazione fra le persone e con la natura,
occasioni di scambio di conoscenze tra generazioni e saperi diversi;
non piu’ zone marginali e abbandonate, ma territori centrali in cui
esercitare e rafforzare i vincoli di comunità, lo sviluppo sociale e
forme di economia sostenibili. Il <i>parco
comune dei frutti minori </i>e’
un percorso insieme di recupero della tradizione e rinascita futura
che si innesta sulle pratiche da tempo attivate nell’area di
Castiglione per l’utilizzo delle terre incolte, pubbliche o
private, oggi coltivate in modo naturale, con varietà antiche di
cereali e in via sperimentale con la canapa come coltura di
rotazione.<i> </i></span></div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-8398465840666298032013-06-17T06:11:00.001-07:002015-12-02T04:41:42.570-08:00MASSES & MOTETS vol I<div lang="en-GB" style="margin-bottom: 0.05cm; margin-top: 0.05cm;">
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><b>Esercizi di Coralità Politica /</b>
</span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><b>Exercises
in Political Chorality</b></span><br />
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><a href="http://youtu.be/YGax3cTl8OA" target="_blank">VIDEO DOCUMENTATION</a></span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><br /></span><i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">developed in the fremework of <a href="http://gasthaus.lungomare.org/" target="_blank">Lungomare Gasthaus</a> Bozen- Bolzano (01-30.06.2013)</span></i><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i>curated by</i> Angelika Burtscher, Daniele Lupo, Lisa Mazza</span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i>a </i></span><br />
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i>project by:</i> Luigi Coppola - </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i><span lang="en-GB">Musical
coordination</span></i>: Marcello Fera- </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i><span lang="en-GB">Dramaturgic coordination</span></i><span lang="it-IT">:</span> Ina
Tartler - </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i><span lang="it-IT">C</span></i><span lang="en-GB">oordination and <i>dramaturgic assistance</i></span>: Anna Gojer - </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i><span lang="en-GB">Stage objects</span></i>: Luigi
Coppola with Marzia Migliora - </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i>With:</i><span style="color: black;"><i> </i>Monika
Callegaro / Michele
Cirillo a.k.a. Ciro /Choriosum /Arno
Dejaco /Claudio
De Nicola a.k.a. Jack Herer / Riccardo
El Madany a.k.a. Bomberman / Fabio
Grandinetti a.k.a. Dj Nigo / Diletta
La Rosa / Matteo
Jamunno / Lene
Morgenstern / Marco
Picone a.k.a. Zelda / Alex
Piovan a.k.a. Sigma / Flora
Sarrubbo / Samuel
Stenico a.k.a. Sten / Alissa
Thaler / Matthias
Vieider - </span></span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i>Spatial Structures:</i> ConstructLab/eXYZt </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">Alexander Römer, Patrick Hubmann,
Gonzague Lacombe, Mattia Paco-Rizzi</span><br />
<b><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">Act
1: Resistenza /Resistance </span></b><b><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">Act 2: Armonia o Conflitto?/<span lang="en-GB">Harmony or
conflict? </span></span></b><b><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">Act 3: Visione e
Profezia/ </span></b><b><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><span lang="en-GB">Vision and Prophecy</span></span></b><br />
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><i>Foto/Photos</i>: Daniel Mazza</span></div>
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<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">EN: </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">“Masses & Motets vol I” are three musical performances that focus on having one’s say, the resistance to entertainment and consumer society, political declaration, proposal and vision. The choir symbolizes the ability of a group of people to “agree” and to create a shared harmony through moments in which their individual or collective voices are in dialogue or in conflict.</span><br />
<div lang="en-GB" style="margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">The artists involved come from different musical and performance backgrounds, including hip-hop, performative literature, polyphonic singing, theater, slam poetry, easy listening and experimental music. The project is rooted in the writings of authors who continue to leave their mark in terms of political imagery, such as Langer, Pasolini, Gramsci and Beuys, and also contains original writings specially created for the project. The performances first took place in public spaces around the city and then at Lungomare Gasthaus in a group performance.</span></div>
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"><br /></span>
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;"> IT<style type="text/css"><!--
@page { margin: 2cm }
P { margin-bottom: 0.21cm }
</style> </span><span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">“Masses
& Motets vol I” sono tre performance musicali incentrate sulla presa
di parola, la resistenza alla società dello spettacolo e dei
consumi, la testimonianza, la proposta e la visione politica.</span><br />
<div lang="it-IT" style="margin-bottom: 0.05cm; margin-top: 0.05cm;">
<span class="Apple-style-span" style="font-family: "courier new" , "courier" , monospace;">Il
coro è simbolo della capacità di un gruppo di persone di
“accordarsi”, di creare un’armonia comune, passando anche
attraverso dei momenti in cui le voci, individuali o collettive, sono
in dialogo o in conflitto.<br />Gli artisti coinvolti provengono
da famiglie musicali e performative differenti come hip hop,
letteratura performativa, canto polifonico, teatro, poetry slam,
musica leggera e musica sperimentale. Il progetto si radica sulle
scritture di autori che continuano a lasciare il segno in termini di
immaginario politico, come Langer, Pasolini, Gramsci, Beuys e si apre
a scritture originali costruite espressamente per il progetto. Le
performance sono state eseguite prima in alcuni spazi pubblici della
città e poi a Lungomare Gasthaus in una performance collettiva.</span></div>
l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-46174753617748444872013-04-15T11:17:00.001-07:002014-09-15T08:12:46.443-07:00IO IN TESTA A-HEAD | cantiere comune di immaginario politico<div align="JUSTIFY" style="margin-bottom: 0.42cm;">
<div class="separator" style="clear: both; text-align: left;">
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; line-height: 13px;"><i>public art project / workshop</i></span></div>
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><br /><span class="Apple-style-span" style="line-height: 0.35cm;">a project with </span></span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><a href="http://www.marziamigliora.com/" style="line-height: 0.35cm;">Marzia Migliora</a></span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span class="Apple-style-span" style="line-height: 0.35cm;">photos: Francesco Nicolai </span></span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><a href="http://www.teatrovalleoccupato.it/" style="line-height: 0.35cm;">Teatro Valle Occupato</a></span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span class="Apple-style-span" style="line-height: 0.35cm;"> | <a href="http://www.nomasfoundation.com/" target="_blank">Nomas Foundation</a></span></span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"> | <a href="http://www.nuovocinemapalazzo.it/" target="_blank">Nuovo Cinema Palazzo</a></span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><a href="http://iointesta.tumblr.com/" target="_blank">BLOG OF THE PROJECT</a></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNIIxdRgV_75FZ75VLARvpt5VghVyumTaYGm3hOqG2UsPqxEftQ-47788aXHjpg3AFIJxJ75Hxhv3djjXgHnuPjU9Zg5XwYXuGtyUYYgUA7tiMrn0AUghYj1fZ083NIp63MoXrK_TAuOSU/s1600/_DSC5943.jpg" style="clear: left; float: left; line-height: 0.35cm; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNIIxdRgV_75FZ75VLARvpt5VghVyumTaYGm3hOqG2UsPqxEftQ-47788aXHjpg3AFIJxJ75Hxhv3djjXgHnuPjU9Zg5XwYXuGtyUYYgUA7tiMrn0AUghYj1fZ083NIp63MoXrK_TAuOSU/s640/_DSC5943.jpg" width="640" /></a><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><a href="http://iointesta.tumblr.com/" style="line-height: 0.35cm;"> </a></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVMZA0Sh45x4XEH5lAxSuB3wumhNcACXM-PiP7Sg8ZOo18UAHp8_3G9R-FBYVVDfbr_dTnX115JX1_h90VGO0n3zzhiN-1VNpPznMIbrz9MRPfd022tw-Ju_EYi6HI-T6uEQyWuzuppgdl/s1600/Iointesta2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVMZA0Sh45x4XEH5lAxSuB3wumhNcACXM-PiP7Sg8ZOo18UAHp8_3G9R-FBYVVDfbr_dTnX115JX1_h90VGO0n3zzhiN-1VNpPznMIbrz9MRPfd022tw-Ju_EYi6HI-T6uEQyWuzuppgdl/s1600/Iointesta2.jpg" height="400" width="265" /></a><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMPnM21yX9f3TRMd1kM3Tib0gMTS1sUjBsI5-RZ3U29b6q_SP70VeeckYGfVcDIxiLYgduHswfHxPntU6JTDjzRvJOYK7B6jELHPWH7YwYGNajNuSPvNLboSDjUfyg2GyG6xSnLya3iW2Z/s1600/_DSC4716.jpg" style="line-height: 0.35cm;"></a><span class="Apple-style-span" style="line-height: 0.35cm;">EN: IO IN TESTA is an artistic and participatory process activated with the aim of revealing the potential resulting from the experiences of occupation, self-triggered, crowdfunding and citizen mobilization.</span><br /><span class="Apple-style-span" style="line-height: 0.35cm;">The project took place during the week proceeding the municipal elections in Rome (20-26 May 2013) on the invitation of the Teatro Valle Occupato (in transformation as Fondazione Teatro Valle Bene Comune), Nomas Foundation and Nuovo Cinema Palazzo.</span><br /><span class="Apple-style-span" style="line-height: 0.35cm;">With the title "Cantiere comune di immaginario politico", Marzia Migliora and Luigi Coppola have set up a workshop open to all citizens, in the spaces of the Nuovo Cinema Palazzo area, both philosophical and physical. The aim was to listen, stimulate and translate in a symbolic and artistic way the instances, proposals and potential resulting from the commitment of all participants, transforming them into a collective experience, driving force of the common good, a realistic utopia where the citizen is the engine of change.</span><br /><span class="Apple-style-span" style="line-height: 0.35cm;">During the workshop, interviews regarding personal stories of </span><span class="Apple-style-span" style="line-height: 0.35cm;">commitement, strategies for the common good, small musical and theatrical performances were continuously held on stage while around the tables each participant was producing his own headdress.</span><span class="Apple-style-span"> </span><span class="Apple-style-span" style="line-height: 0.35cm;">The unifying symbol chosen for the project was a headdress made of papier-mâché, starting from the traditional model worn by masons.</span><br /><span class="Apple-style-span" style="line-height: 0.35cm;">Simple sheets of paper have became personal manifestos “to put on head”, expression of desires and symbolic, identifying, combative, personal proposals.</span></span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span class="Apple-style-span" style="line-height: 0.35cm;">The moltitude of headdress created during the workshop have become a means to build a “social sculpture.” A series of symbolic actions have connected the Teatro Valle to public space and vice versa.</span><br /> </span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheF3zAEPoS6NBasRp6J0tjgmBPRw_wdgragRK84W1fL2z6EUEcs-DgKyXQIFvu3XdW7HzUOu5DaL5GJsh68CvQ20wabmRm8Z91i0jo04FQrapt67U6qkpM8hHoSCtFPpYiaCHfSsBhEgiT/s1600/Iointesta3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheF3zAEPoS6NBasRp6J0tjgmBPRw_wdgragRK84W1fL2z6EUEcs-DgKyXQIFvu3XdW7HzUOu5DaL5GJsh68CvQ20wabmRm8Z91i0jo04FQrapt67U6qkpM8hHoSCtFPpYiaCHfSsBhEgiT/s1600/Iointesta3.jpg" height="400" width="265" /></a><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">IT: I</span><span class="Apple-style-span" style="line-height: 13px;"><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span style="color: black;"><span style="font-size: small;"><i>O
IN TESTA </i></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">è
un processo artistico partecipato nato con lo scopo di far emergere
il potenziale derivato dalle esperienze di occupazione, di
autoattivazione, di produzione dal basso e di mobilitazione
cittadina. Il progetto si è tenuto nella settimana precedente
le elezioni politiche municipali a Roma (20-26 maggio 2013), su
invito del Teatro Valle Occupato (in trasformazione come Fondazione
Teatro Valle Bene Comune), Nomas Foundation (come parte del programma
</span></span></span><span style="color: black;"><span style="font-size: small;"><i>A
Theatre Cycle</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">)
e Nuovo Cinema Palazzo.</span></span></span></span></span><br />
<div align="JUSTIFY" style="font-style: normal; line-height: 0.35cm; margin-bottom: 0.42cm;">
<span style="color: black;"><span style="font-family: 'Courier New', Courier, monospace; font-size: small;">In
questo momento storico di grande crisi culturale, è indispensabile
per chi crede nel valore e nelle potenzialità dell'arte, della
cultura, dell'educazione, dell'attivismo politico e sociale, prendere
voce in maniera propositiva nel tentativo di portare alla luce nuovi
contenuti e immaginari possibili.</span></span></div>
<div align="JUSTIFY" style="font-style: normal; line-height: 0.35cm; margin-bottom: 0.42cm;">
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">Con
il titolo di</span></span></span><span style="color: black;"><span style="font-size: small;"><i>
cantiere comune di immaginario politico, </i></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">Marzia
Migliora e Luigi Coppola hanno attivato un</span></span></span><span style="color: black;"><span style="font-size: small;"><i>
</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">laboratorio
aperto alla cittadinanza, negli spazi del Nuovo Cinema Palazzo
costruito come uno spazio creativo e al contempo filosofico e
manuale. Lo scopo era quello di ascoltare, stimolare e tradurre in
chiave simbolica ed artistica le istanze, le proposte, le
potenzialità scaturite dall'</span></span></span><span style="color: black;"><span style="font-size: small;"><i>engagement
</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">dai
singoli partecipanti, trasformandole in esperienza collettiva, forza
del bene comune, utopia realista in cui il cittadino è motore di
cambiamento.</span></span></span></span></div>
<div align="JUSTIFY" style="font-style: normal; line-height: 0.35cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Per
attuare questi principi i due artisti hanno costruito, con migliaia
di quotidiani di diverse testate nazionali, una scenografia in cui al
centro era situato un palco contornato da tavoli da lavoro. Durante
il laboratorio, mentre si susseguivano sul palco interviste, racconti
personali d’occupazione, strategie per il bene comune e piccole
performance musicali e teatrali, ai tavoli ogni partecipante
costruiva il proprio copricapo.</span></span></div>
<div align="JUSTIFY" style="font-style: normal; line-height: 0.35cm; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span style="color: black;"><span style="font-size: small;">Il
simbolo aggregante scelto per il progetto era un copricapo costruito
in cartapesta, a partire da quello tradizionale indossato dai
muratori. </span></span>
</span></div>
<div align="JUSTIFY" style="font-style: normal; line-height: 0.35cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Semplici
fogli di giornale divenivano manifesti personali da “mettere in
testa”, portatori di desideri, proposte personali, simboliche,
identitarie e di resistenza.</span></span></div>
<div align="JUSTIFY" style="line-height: 0.35cm; margin-bottom: 0.42cm;">
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">La
moltitudine dei copricapi creati durante il </span></span></span><span style="color: black;"><span style="font-size: small;"><i>Cantiere</i></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-style: normal;">
sono diventati mezzo per costruire una “scultura sociale”. Una
serie di azioni simboliche hanno collegato il Teatro Valle allo
spazio pubblico e viceversa.</span></span></span></span></div>
<div align="JUSTIFY" style="font-style: normal; line-height: 0.35cm; margin-bottom: 0.42cm;">
<span style="color: black;"><span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Una
delle opere fotografiche più significative realizzate dagli artisti
durante il progetto è stata da loro donata alla nascente Fondazione
Teatro Valle Bene Comune, contribuendo quindi a crearne il capitale
necessario per la sua formazione. L'opera è ora parte della sua
collezione permanente.</span></span></div>
</div>
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<span style="font-size: small;"> </span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">video project, 2012</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><a href="http://www.youtube.com/watch?v=luljv20k3-Y" target="_blank">VIDEO LINK</a></span></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><a href="https://docs.google.com/file/d/0B5nUzfGU0GxcNkltSFhoSE1CTmc/edit" target="_blank">ENGLISH PRESENTATION</a></span><br />
<span style="font-family: 'Courier New', Courier, monospace;"><a href="https://docs.google.com/file/d/0B5nUzfGU0GxcSFN6c1BJYWdxczg/edit" target="_blank">FRENCH PRESENTATION</a></span><br />
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a project by Luigi Coppola. Realized on the frame of the exhibition "<a href="http://www.enactingpopulism.org/" target="_blank">Enacting Populism in its Mediæscape"</a> curated by Matteo Lucchetti at <a href="http://www.kadist.org/" target="_blank">Kadist Art Foundation</a> - Paris.<br />
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With: Olivia Algazi, Gaël Bourhis, Ilios Chailly, Périne Julien, Théo Vailly, Jean-Joseph Vital.<br />
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Film direction: Luigi Coppola and Claudio Cavallari / Images: Claudio Cavallari and Fabrizio La Palombara / Musical direction: Gabriel Mattei / Editing and postproduction: Claudio Cavallari / Produced by: Luigi Coppola, Kadist Art Foundation and all the people participating in the project. / Artistic coordination and logistic: Les Commissaires Anonymes (Cécile Roche Boutin and Mathilde Sauzet).<br />
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Texts taken from:<br />
Utopie Réaliste (Realistic Utopia), proposals published on Paul Jorion's blog (2011)<br />
Saint-Just, extracts from Discours sur la Constitution de la France (April 1793)<br />
J.M. Keynes, The General Theory of Employment, Interest and Money (1936)<br />
Paul Jorion, Le capitalisme à l'agonie (2011)<br />
P. Sarton du Jonchay, contributions on Paul Jorion's blog (2011)<br />
Franklin D. Roosevelt, First Inaugural Address (March 1933)<br />
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I am particularly grateful to Paul Jorion and his blog for feeding the spirit of this project. </span><br />
<span style="font-family: 'Courier New', Courier, monospace;"><a href="http://www.pauljorion.com/blog/">http://www.pauljorion.com/blog/</a></span></div>
l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-19469078641021293442011-09-12T15:24:00.000-07:002015-05-15T08:53:19.225-07:00OCCUPATION PRECAIRE <span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><i>in collaboration with Christophe Meierhans</i></span><br />
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><i>workshop / public art project </i></span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New';"><i>[a.pass]advanced performance and scenography studies, Brussels</i></span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New';"><i>curated by Nicolas Y Galeazzi</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bb9Ohmr1UHWXjEa3eyxkYJOrWYQpE93vscsLiqybUY7Hv-LaZr6oKYmT6dTM9lvaIWu3fXb9wa_CKPrNCj6jOE5Axk9P0NeZ2H8OwIVJRI25n_8kngAT8Mza8pAcgEnek6GbB9_55_8z/s1600/P1050532.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bb9Ohmr1UHWXjEa3eyxkYJOrWYQpE93vscsLiqybUY7Hv-LaZr6oKYmT6dTM9lvaIWu3fXb9wa_CKPrNCj6jOE5Axk9P0NeZ2H8OwIVJRI25n_8kngAT8Mza8pAcgEnek6GbB9_55_8z/s1600/P1050532.JPG" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7wtNZVQfSNEjqALHNvQn1Q3FvO9Gz7WB4s-cQZXHCyEG-MFbCT7DbExfsOI2lec5qHvcrcNyhvYX5bAgTv1ZxlPrzYnFChPncPLkiTAOGKfbg6uPrZlf8fmWCBikuQXG8L9XwkWlQF7RO/s1600/P1050474.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7wtNZVQfSNEjqALHNvQn1Q3FvO9Gz7WB4s-cQZXHCyEG-MFbCT7DbExfsOI2lec5qHvcrcNyhvYX5bAgTv1ZxlPrzYnFChPncPLkiTAOGKfbg6uPrZlf8fmWCBikuQXG8L9XwkWlQF7RO/s1600/P1050474.JPG" width="300" /></a><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">Usually, when speaking of collective and democratic decision making, one thinks of collective </span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">processes leading to a commonly accepted decision. </span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">Here we are approaching the question of </span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">a collected decision in a rather reversed manner:</span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">-Creation of a situation in which individuals are taking decisions on their own, but in which all </span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">of these individual </span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">decisions have a direct effect on the collective, hence become de facto collective decisions. </span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">-Decisions are taken without collective assentment. Possibly, the individual decisions generate </span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">collective debates and a need for the establishment of collective agreements could arise.</span><br />
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">- The focus of the workshop is thus on the practice of individual responsibility within the </span><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: small;">collective. It is an experiment with the preconditions for a practice of commoning.</span></div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-74062473947152894152011-08-23T07:45:00.005-07:002014-09-15T08:19:10.222-07:00EVENTO 2011: art pour une ré-évolution urbaine<div>
<span style="font-family: 'Courier New', Courier, monospace; font-size: x-small;"><i>special project, 2011-2010 </i></span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><span style="font-size: x-small;"><i>Urban art biennale in Bordeaux </i></span></span></div>
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<span style="font-family: 'Courier New', Courier, monospace; font-size: x-small;"><i>Artistic Direction: Michelangelo Pistoletto and Cittadellarte</i></span></div>
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<span style="font-family: 'Courier New', Courier, monospace; font-size: x-small;"><i>Joint Artistic Director: Luigi Coppola</i></span><br />
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<span style="font-family: 'Courier New', Courier, monospace; font-size: x-small;"><i><a href="https://vimeo.com/51514872" target="_blank">SHARED KNOWLEDGE PROJECT</a> video link (from the exhibition in Kunsthaus Graz, sept 2012) </i></span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">This second edition of EVENTO is centred on the participation of all kinds of public and the implication of artists that will activate collective creations. Approximately 250 organisms (non-profit organisations, local institutions, schools, etc.) are part of the different projects of the event.</span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">Whether it be the strong mobilisation of music enthusiasts for the <a class="linkb" href="http://evento2011.com/en/artistes-invites/sound-res/">Sound Res</a> with the active participation of the Conservatoire de Bordeaux Jacques Thibaud, but also the contribution of graphic designers and illustrators for <a class="linkb" href="http://evento2011.com/en/artistes-invites/arc-en-reve/">arc en rêve</a> and <a class="linkb" href="http://evento2011.com/en/artistes-invites/stealth-unlimited/">STEALTH.unlimited</a>‘s project at the Abattoirs, EVENTO 2011is an event of contemporary creation that calls upon international artists as well as the creative abundance of the territory.</span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">The Sites, real laboratories of open and shared artistic creation, are strong examples of this local implication. More than 60 non-profit organisations are participating, alongside the Halle des Douves association, in the project of Dutch artist <a class="linkb" href="http://evento2011.com/en/artistes-invites/jeanne-van-heeswijk/">Jeanne Van Heeswijk</a>, to offer a daily programme from 6 to 16 October, from 7 a.m. to 2 a.m.<br />
The <a class="linkb" href="http://evento2011.com/en/rdv-artistiques-et-urbains/chantier-des-savoirs-partages/theatre-evolutif/">Evolving Theatre</a> on Place André Meunier also calls upon the collaboration of structures and inhabitants of the neighbourhood, through all kinds of workshops set up from September.<br />
The Central Parc project is mobilising many structures of the Grand Parc neighbourhood, whether it be the social and cultural centre, the animation centre, the Library, but also several associations. The latter were able to present their citizen approach at the stop of <a class="linkb" href="http://evento2011.com/en/rdv-artistiques-et-urbains/chantier-mobile/inauguration-de-unite-mobile/">the mobile site at Grand Parc</a> on 2 July. The mobile unit, which has been travelling across the territory ever since, offers to anyone interested in talking about his/her individual or collective approach of solidarity, the possibility to answer the Wanted ad that has been broadcast since June. </span></div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-54046780511169985222011-07-06T06:36:00.006-07:002014-09-15T08:20:05.403-07:00COMMUNITY ART The Politics of Trespassing<div style="font-family: inherit;">
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<i><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">publication, 2011</span></i><br />
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<a href="http://www.valiz.nl/en/CommunityArt">
Valiz/Antennae Series</a></span></h1>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">Edited by Paul De Bruyne, Pascal Gielen.</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><br />
Italian philosopher Antonio Negri has declared that “Every kind of change belongs to a form of community art,” inverting the convention that community art can be an integral component of social change and extending the rubric of art to propose a commons of all those striving to effect change in social, economic, technological and ecological arenas. So how do these endeavors influence and act upon one another?</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"> In Community Art, artists and theorists Tilde Björfors, Bertus Borgers, Paul De Bruyne, Changchengh, Luigi Coppola, An De bisschop, Miguel Escobar Varela, Jan Fabre, Alison M. Friedman, Pascal Gielen, Sonja Lavaert, Carol Martin, Antonio Negri, Alida Neslo, Tessa Overbeek, Lionel Popkin, Richard Schechner, Hein Schoer, Ricky Seabra, Jonas Staal, Klaas Tindemans, Luk van den Dries, Quirijn Lennert van den Hoogen, Hans van Maanen, Bart Van Nuffelen and Karel Vanhaesebrouck explore the practices of artistic and social movements in western and non-western societies.</span><br />
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-92208490324863771352011-04-21T08:16:00.004-07:002014-09-15T08:21:20.688-07:00BUILD YOUR LEADER<div class="separator tr_bq" style="clear: both; text-align: center;">
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<i><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">site specific performance, 2011</span></i><br />
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><a href="http://www.youtube.com/watch?v=0bIhCUyGKxI" target="_blank">VIDEO DOCUMENTATION</a> LINK</span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;"><br />
Grote Markt Antwerpen - 30 april 2011 </span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">realized in the frame of <a href="http://www.enactingpopulism.org/">Enacting Populism</a> curated by Matteo Lucchetti</span></div>
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<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">a project by Luigi Coppola</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">realized in the frame of <a href="http://www.enactingpopulism.org/">Enacting Populism</a> curated by Matteo Lucchetti</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">with Luigi Coppola, Sven Goyvaerts, Margareth Kaserer, Matteo Lucchetti, Esther Severi</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">images and editing by Claudio Cavallari</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">produced in the context of the residency in Air Antwerp</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">with the support of a.pass (advanced performance and scenography studies)</span><br />
<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">Antwerp 2011</span>l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-50900915376883175372011-02-20T14:27:00.002-08:002012-10-16T08:40:18.243-07:00ENACTING POPULISM<div style="font-family: Arial,Helvetica,sans-serif;">
<span class="Apple-style-span" style="font-size: x-small;">residency, 2011</span><br />
<span class="Apple-style-span" style="font-size: x-small;"><br /></span>
<span class="Apple-style-span" style="font-size: x-small;">AIR Antwerp / residency </span></div>
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<i><span class="Apple-style-span" style="font-size: x-small;">An ongoing research on the possible relationships between art practices and populist aesthetics</span></i></div>
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<span class="Apple-style-span" style="font-size: x-small;"><br /></span></div>
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<span class="Apple-style-span" style="font-size: x-small;">Curated by Matteo Lucchetti</span></div>
<div style="font-family: Arial,Helvetica,sans-serif;">
<span class="Apple-style-span" style="font-size: x-small;"> with Francisco Camacho, Luigi Coppola, Danilo Correale</span></div>
<div style="font-family: Arial,Helvetica,sans-serif;">
<span class="Apple-style-span" style="font-size: x-small;">in collaboration with Extra City, Antwerpen</span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><br /></span></div>
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<i><a href="http://enactingpopulism.tumblr.com/"><span class="Apple-style-span" style="font-size: x-small;">Enacting Populism blog</span></a></i></div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-89371019839100557402011-02-20T10:27:00.003-08:002012-10-17T07:47:46.967-07:00NEUTRAL ECOLOGICAL BODY # SEOUL<div>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>performance, 2010</i></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span>
<a href="https://vimeo.com/51596923" target="_blank"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">VIDEO DOCUMENTATION LINK</span></a><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">performance as part of the exhibition "Rich Disorganization"<br />
Seoul Art Space Geumcheon - august 2010<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-XAY442cNVN2T5qhH_tcVh2gUT258EpOe6zXb3D0Rtu6YYJtHzehD8xp0KR26cFiekUTt9wyvcOqBzY_TQjl4qFmArathUcvKRUq-NktjQljc0HogxAaw0Kb-3e4voFrIcWbtYEX-IhV/s1600/conference04_low.JPG"></a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIZshIMmTYuWapS-hzfH6Rck_jACEgACcx5jzFamQxCnKVhpE7XM0NdjqkYrKUZTEMNFWCZ_XvClUOzVEw9bQ_gko0SWY9PS-2oqALcY5O5QUZdvDvLuMnuqXb8f-SLmMdE7wJ_4tW6-4W/s1600/conference04_low.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIZshIMmTYuWapS-hzfH6Rck_jACEgACcx5jzFamQxCnKVhpE7XM0NdjqkYrKUZTEMNFWCZ_XvClUOzVEw9bQ_gko0SWY9PS-2oqALcY5O5QUZdvDvLuMnuqXb8f-SLmMdE7wJ_4tW6-4W/s400/conference04_low.JPG" width="267" /></span></a></div>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSl4ByujkgVffZlxQ7M4P3gbHmGzuW2XxpKQLx_lPxj9_Ooex5LKrQzhL6cXc9BMrQmlrlbdDVwc_nCFiANqL5K9bo50IckXRjo3x3NbiYRgAMP0tBWFXIIWJfnEfkPQuF7OwI4HPfwkSE/s1600/conference03_low.JPG"> </a> <style type="text/css">
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</style><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);">I wear a screaming mask, in order to give voice to several philosophers, intellectuals and activists who have or have had a clear vision on the crisis of the current system and give us visions about the future.</span><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"><br />
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Partecipants in the conference (through a temporary passage from my body)</span><b><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"><br />
Vandana Shiva </span></b><span style="font-weight: normal;"><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);">(1952 India, philosopher, environmental activist)</span></span><b><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"><br />
Slavoj </span></b><span style="font-weight: bold;">Žižek</span><b><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"> </span></b><span style="font-weight: normal;"><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);">(1942 Slovenia, philosopher, critical theorist)</span></span><b><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"><br />
Pier Paolo Pasolini </span></b><span style="font-weight: normal;"><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);">(1922-1975 Italy, poet, intellectual, film director, writer)</span></span><b><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"><br />
Joseph Beuys </span></b><span style="font-weight: normal;"><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);">(1921-1986 Germany, artist, art theorist and pedagogue of art)</span></span><b><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"><br />
Doal Kim Yong-ok </span></b><span style="font-weight: normal;"><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);">(1948 South Korea, philosopher)</span></span><b><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);"><br />
Mahatma Gandhi </span></b><span style="font-weight: normal;"><span style="background: none repeat scroll 0% 0% rgb(255, 255, 255);">(1869-1948 India, political and spiritual leader)</span></span><span style="background-attachment: scroll; background-clip: initial; background-color: white; background-image: none; background-origin: initial; background-position: 0% 0%;"><br />
I will do my best to translate and expand their message.</span></span> <style type="text/css">
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-69823589740370419812010-08-22T07:29:00.004-07:002012-10-16T09:07:00.938-07:00RICH DISORGANIZATION<div>
<i><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">residency, </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">performances and exhibition, 2010</span></i><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Seoul Art Space GEUMCHEON</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><kitchen royal=""><neutral body="" ecological="" seoul=""><tunnel vision=""><shimshimi><br />
</shimshimi></tunnel></neutral></kitchen><kitchen royal=""><neutral body="" ecological="" seoul=""><tunnel vision=""><shimshimi><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFjIj2TXXvVnyuoL-DBuh0aIP1NR_EC-H0AqIK1ANChTviCBSymnjGtvw9kTzBcyqX2Cdvi0LvBrlBFzQqIrHGFcC0NU9mjoau3Lby_q9kMK7xjqTHl0ESck4AONT4Ce4_F2EO-UqThm7q/s1600/korea01_low.JPG"></a></shimshimi></tunnel></neutral></kitchen><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFjIj2TXXvVnyuoL-DBuh0aIP1NR_EC-H0AqIK1ANChTviCBSymnjGtvw9kTzBcyqX2Cdvi0LvBrlBFzQqIrHGFcC0NU9mjoau3Lby_q9kMK7xjqTHl0ESck4AONT4Ce4_F2EO-UqThm7q/s1600/korea01_low.JPG">photo: Luigi Coppola "Neutral Ecological Body #Seoul, 2010</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6DCdB7RyfL3Rv0k9Jwoy1pfYQgPqNxSrIac0ZBCzNr9Mot5SfDPX_r4T6GUypWO26YwwWzHiiJE6k3jan065SnN-iGyy_WjpseYIBE7D1RN1GDA_mQcnuXo0ilkJFDHBKqUypO6l1crN9/s1600/korea01_low.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6DCdB7RyfL3Rv0k9Jwoy1pfYQgPqNxSrIac0ZBCzNr9Mot5SfDPX_r4T6GUypWO26YwwWzHiiJE6k3jan065SnN-iGyy_WjpseYIBE7D1RN1GDA_mQcnuXo0ilkJFDHBKqUypO6l1crN9/s400/korea01_low.JPG" width="265" /></span></a></div>
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<kitchen royal=""><neutral body="" ecological="" seoul=""><tunnel vision=""><shimshimi><span style="font-size: x-small;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">Participating Artists:</span><span style="font-size: x-small;"><br /></span><span style="font-size: x-small;"> 김명남 Kim Myoung-Nam, 김지수 Gisoo Kim, 노재운 Rho Jae-oon, 루이지 코폴라 Luigi Coppola (Italy), 극연구소 마찰 The Pure Theatre Laboratory Machal, 무빙밀머리(박찬국) Moving Milmeory, 박능생 Park Nung-Saeng, 수퍼피쉬스! SUPERFISHES! (Korea+Israel), 스튜디오 우하하 Studio Woohaha, 윤주희 Youn Ju-hee, 이기일 Lee Kiil, 이수영+리금홍 Lee Soo-young + Lee Geum-hong, 이세옥+최수환 Rhee Sei+Che Swann, 이호진 Lee Ho-jin, 인진미 In Jin-mi, 장석준 Jang Suk-joon, 정정주 Jeong Eeong-ju, 조습 JoSeub, 제프 슈무키 Jeff Schmuki(America), 천영미 Chun Young-mi</span><span style="font-size: x-small;"><br /></span> <span style="font-size: x-small;"> The exhibition highlights ways of interpreting the space of Geumcheon.</span><span style="font-size: x-small;"><br /></span><span style="font-size: x-small;"> Twenty first-term artists from four countries stayed in the Seoul Art Space Geumcheon for two months to one year. The exhibition’s theme Rich Disorganization was proposed to metaphorically present the artists’</span><span style="font-size: x-small;"><br /></span><span style="font-size: x-small;"> new dreams, their individuality, diverse perspectives, and the possibilities of a newly evolving city from viewpoints different from thoseof administrators and local residents. These strangers who enjoy traveling alone, leaving their home voluntarily, and moving to new places anonymously shed light on Geumcheon from the perspectives of</span><span style="font-size: x-small;"><br /></span><span style="font-size: x-small;"> collectors, urban scholars, and detectives.</span><span style="font-size: x-small;"><br /></span><span style="font-size: x-small;"> Their gaze on this region appears inconsistent yet poetic with the intersection of various voices. Moreover, the scenes these artists rendered are mere manifestations of their individual concerns for life here,but have nothing to do with regional issues such as the reality of migrant workers residing here, and reckless development of this area mixed with industrial and residential facilities.</span><span style="font-size: x-small;"><br /></span><span style="font-size: x-small;"> However, individual scenes resident artists rendered acquire meaning of its presence through structuralized, symbolized representations as cultural images, and the memories, reflected by this region’s artifacts and images they collected, are not individual but collective. Can the artists’ aesthetic attempts to add new identity to this declining area save its concealed, forgotten moments of the past?</span></span>
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</shimshimi></tunnel></neutral></kitchen>l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-4602359221560683112010-06-23T07:39:00.003-07:002012-10-16T08:42:53.920-07:00GUARANTEES ON THE CONTINUITY OF THE SPECIES<div>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>workshop, performance, photography, 2010</i></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Bressanone - Brixen (BZ) - ITA<br />
with the young people of the On- Stage School of Arts, Bozen</span></div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-33632097731804557032010-04-12T03:47:00.005-07:002012-10-16T08:43:19.703-07:00ARTS IN SOCIETY. BEING AN ARTIST IN POSTFORDISM TIME<div>
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>publication, 2009</i></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglkvvJaY4pN3HACMWZW4jIcpMScF9SNWE9fyPbf1N7YytDRD33cACKBYjPpphz2ythgkmk_nmGQ1Pvgp2WEnKS2l-KbANwqRo5azOLyMuQ4BSq3YdzsPpQsN5mL7EVSIAxsCowweXNhQnY/s1600/Immagine+1.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" height="320" id="BLOGGER_PHOTO_ID_5459202682526034978" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglkvvJaY4pN3HACMWZW4jIcpMScF9SNWE9fyPbf1N7YytDRD33cACKBYjPpphz2ythgkmk_nmGQ1Pvgp2WEnKS2l-KbANwqRo5azOLyMuQ4BSq3YdzsPpQsN5mL7EVSIAxsCowweXNhQnY/s320/Immagine+1.png" style="display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 230px;" width="230" /></a> </span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">-<span style="color: black;">In his contribution to this publication the Italian philosopher <span style="font-weight: bold;">Paolo Virn</span>o argues that art has been dissolved in society like an effervescent tablet in water. The arts have become an essential component of the post-Fordist production process and have to a large degree lost their autonomy. Taking up the challenge of the views of Virno, Hardt and others concerning the place and function of art in society, this book’s authors consult high-profile international figures from various artistic disciplines and endeavour to gain insight into the changing circumstances in which today’s creative processes arise and take shape.</span></span><br />
<span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The ways in which the world of art has evolved in recent decades is traced in discussions with, among others, the visual artists <span style="font-weight: bold;">Michelangelo Pistoletto</span> and <span style="font-weight: bold;">Thierry De Cordier</span>, choreographers<span style="font-weight: bold;"> Anne Teresa De Keersmaeker, Sang Jijia</span> and <span style="font-weight: bold;">Willy Tsao,</span> theatre director <span style="font-weight: bold;">Pippo Delbono</span> and pop musician <span style="font-weight: bold;">Matthew Herbert.</span></span><br />
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<span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-weight: bold;"> </span>Arts in Society sketches a provocative impression of the manner in which prominent artists, theorists and art intermediaries relate to economic, political, social and ecological issues. It presents an instructive narrative about power and impotence, cynicism and utopia, and nihilism and engagement aimed at all those who presently dare to call themselves artists and everyone who wants to understand and defend the importance of the role of the arts in society.</span></div>
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<i><span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><br /></span></i>
<i><span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: x-small;">In association with the Research Group Arts in Society, Fontys College for the Arts </span></i><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>Pascal Gielen and Paul De Bruyne (eds.), NAi-Publishers: Rotterdam, 2009.</i></span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>With texts by Luigi Coppola, Marie-Josée Corsten, Michael Hardt, Gert Keunen, Rudi Laermans, Sonja Lavaert, Karel Vanhaesebrouck</i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><a href="http://www.naipublishers.nl/art/arts_in_society_e.html%20" target="_blank">Nai Publishers</a></span></div>
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-84049499286735568562010-02-18T07:50:00.000-08:002012-10-18T07:56:45.627-07:00ART AND POSTFORDISM<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>special project, workshop</i></span></span><br />
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<a href="https://vimeo.com/51683297" target="_blank"><b><span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">see the </span></span></b></a><span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://vimeo.com/51683297" target="_blank"><b>documentation of the talk</b></a> (italian and english) 1:25:00</span></span><br />
<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />00:00 -10:20 presentations Cecilia Canziani, Ilaria Gianni, Luigi Coppola<br />10:20 - 50:40 <b>Pascal Gielen</b>, Art and postfordism from sociological point of view"<br />50:40 -1:09:00 <b>Paolo Virno,</b> Key words about art and post-fordism<br />1:09:00 - 1:25:00 <b>Michelangelo Pistoletto</b>, New forms of institutions</span></span><br />
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> Reading Room, Nomas Foundation, Roma 2010<br /><br />with <b>Paolo Virno, Michelangelo Pistoletto, Pascal Gielen, Luigi Coppola </b><br />organized by Luigi Coppola and Nomas Foundation<br /><br /><br />For the first appointment of the Reading Room, Nomas Foundation hosts The Research Group Arts in Society of the Fontys College for the Arts for a day of discussions on issues of art, ecomony and society with Paolo Virno, Michelangelo Pistoletto, Pascal Gielen and Luigi Coppola.<br /> In recent times, the culture industry has capitalised on the work ethic of the art world - its ever-youthful energy, allure of freedom, flexible working hours, short-term or lack of contracts - and converted into a standard production model. Following the apparent success of 'capitals of culture' schemes and the creative industries, governments too have been keen to embrace this post-Henry Ford work model and seamlessly link it to the globally dominant neo-liberal market economy. But how have artists and other arts professionals reacted to this situation? Can they offer alternative strategies and policies?</span></span>l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-32530168537535322612009-12-09T03:00:00.003-08:002012-10-16T08:45:18.904-07:00ANNO UNO - TERZO PARADISO<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small; line-height: 13px;"><i>special project, performance, 2009</i></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-small;">by Michelangelo Pistoletto</span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-small;">re-enactement Luigi Coppola</span><br />
<span style="font-family: Arial,Helvetica,sans-serif; font-size: x-small;">with the people of Corniglia and Cittadellarte</span><br />
<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">realized for <i>Artissima Teatro, Blinding the ears </i>curated by Andrea Bellin<span style="font-size: x-small;">i</span></span></span><br />
<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-small;"><span class="Apple-style-span" style="line-height: 13px;">Performance, Teatro Regio Torino, 6 nov 2009</span></span></span></span><br />
<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">photo Enrico Amici</span></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small; font-style: italic;"><br />
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-71153775000724701202009-10-12T11:20:00.004-07:002014-09-13T03:30:03.126-07:00ATTI DEMOCRATICI / DEMOCRATIC ACTS<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO133VpnIvfBifUloAOaR1BoVxHyENx62ZjLk2CGJCtpI6bv6MpMNJhN8959ZGxKw7tQKCkpaN-j7BZSNfwAkbwDgp5XwWsCI-PnqqNOqEhyphenhyphen1Bfyh3X3wRGP7Po5krdv55rAPZIsXodZ23/s1600-h/Immagine+1.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><i>special project, 2009</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzIGAw2qCPAeHjChJ8Smvt0ld6gkjW8KxOpWpE7VbxT-FlDO1Rtx2E7Lcwh9BrTsXMRS9rnLQd_n_5jy3rqO6vmhI8zyS_3fAlTCqlvNmpVOQ2TiPqQ_UpAWhmnnIIY7PdhSUd6v8ZvzY-/s1600/print_attidemocratici_front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzIGAw2qCPAeHjChJ8Smvt0ld6gkjW8KxOpWpE7VbxT-FlDO1Rtx2E7Lcwh9BrTsXMRS9rnLQd_n_5jy3rqO6vmhI8zyS_3fAlTCqlvNmpVOQ2TiPqQ_UpAWhmnnIIY7PdhSUd6v8ZvzY-/s320/print_attidemocratici_front.jpg" height="320" width="234" /></a></div>
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<img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO133VpnIvfBifUloAOaR1BoVxHyENx62ZjLk2CGJCtpI6bv6MpMNJhN8959ZGxKw7tQKCkpaN-j7BZSNfwAkbwDgp5XwWsCI-PnqqNOqEhyphenhyphen1Bfyh3X3wRGP7Po5krdv55rAPZIsXodZ23/s320/Immagine+1.png" height="320" id="BLOGGER_PHOTO_ID_5391780355277914658" style="display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 252px;" width="252" /><span style="font-family: arial; font-size: 85%;"><i> </i></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i><a href="http://www.attidemocratici.org/" target="_blank">BLOG OF THE PROJECT</a></i></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: black;">Ricerca applicata sul rapporto tra arte e democrazia sviluppata da un network di artisti, curatori e teorici<br />
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: black; font-style: italic;">Applied research on the relation between art and democracy developed by a network of artists, curators and theoriticians.</span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>The project will unfold in a series of performances, workshops, screenings, urban </i><i>interventions, meetings and lectures, and a free press journal on the basic principles of the Italian </i><i>Constitution. </i></span></span> </div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> 24 - 25 april 2009 BIENNALE DEMOCRAZIA TORINO</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> 05 - 23 may 2009 FESTIVAL FABBRICA EUROPA FIRENZE</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">15 - 30 october 2009 LUNGOMARE BOLZANO</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: black; font-style: italic;">project initiated by Luigi Coppola </span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: black; font-style: italic;">Democratic Acts in Torino and Firenze, curated by Luigi Coppola and Marko Stamenkovic </span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: black; font-style: italic;">Democratic Acts in Bolzano, curated by Angelika Burtscher, Luigi Coppola, Daniele Lupo, Judith Wielander</span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Torino and Firenze </b></span></span><br />
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-weight: bold;"> </span><b>contributi artistici / artistic contributions</b></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">
Angelika Burtscher & Daniele Lupo / Luigi Coppola / Yingmei Duan /
Dariusz Fodczuk / Carlos Motta / Juan Esteban
Sandova<b>l</b></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> <i>"Unmasked a marathon of artists' videos and films contesting systems of rule" </i><i>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> <i>curated by Elise Youn and Carlos Motta, prod. New Museum di New York</i></span></span>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">
Dario Azzellini and Oliver Ressler / Petra Bauer / François Bucher /
Mary Billyou / Paul Chan / Jim Fetterley /Annelisse Fifi / Jim Finn /
Ashley Hunt / Tellervo Kalleinen and Oliver Kochta-Kalleinen/ Lin + Lam /
John Menick / Jenny Perlin / Dmitry Vilensky / Angie Waller / Susan
Youssef</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> <span style="font-weight: bold;">contributi teorici / theoretical contributions</span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">
Branko Brezovec / Cesar Brie /Dariusz Fodczuk / Benoît Lachambre /
Esteban Mihalik / Andrés Morte /</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">
Carlos Motta / Andrés Neumann / Michelangelo Pistoletto / Juan Patricia Rivadeneira / Marco Valerio Amico
/ Elvira Vannini</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Bolzano </b></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b> </b></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"> <b>Lauren Alexander </b>(designer, South Africa), <b>Marco Angelucci </b>(journalist, Bolzano),<b> Franco Arminio </b>(writer/townologist, Irpinia), <b>Ei Arakawa & Nikolas Gambaroff </b>(performer, New York), <b>Carlo Bachschmidt </b>(Genoa Social Forum), <b>Brave New Alps </b>(Designer, London), <b>Tania Bruguera </b>(performer, Cuba), <b>Yael Davids </b>(performer, Israel), <b>Cornelia Durka </b>(designer, Berlin), <b>Ghalia Elsrakbi </b>(designer, Damascus/Amsterdam), <b>Jack </b><b>Henrie Fisher & Popahna Brandes </b>(designer/writer, Brussels), <b>Shilpa Gupta </b>(performer, Mumbai), <b>Thomas Kager </b>(political scientist, Bolzano), <b>Merijn Oudenampsen </b>(sociologist, Amsterdam), <b>Cesare Pietroiusti </b>(artist, Rom), <b>Andrea Segre </b>(director, Rom), <b>Maria Rosa </b><b>Sossai </b>(curator, Roma), <b>Ziga Testen </b>(designer, Ljubljana), <b>Daniel van der Velden </b>(designer, Amsterdam).</span></span></div>
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<span style="font-size: 85%;"><a href="http://www.lungomare.org/attidemocratici%20"><br />
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l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.comtag:blogger.com,1999:blog-2626631975415041310.post-18491147069777783852009-06-25T09:23:00.002-07:002012-10-16T08:47:11.930-07:00BREATHE IN BREATHE OUT<div>
<i><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">performance, </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">2009</span></i></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Performance with Yingmei Duan</span></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Cavallerizza Reale, 1st Democracy Biennale Torino; Fabbrica Europa Firenze</span></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">"Breathe In Breathe Out" is the third collaborative performance project between Luigi Coppola and Yingmei Duan.</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The stage is installed with a large pulley system of ropes. The ropes connect the audience to different objects: a microphone, a book of the law, a bucket of water, a chair, a table, a knife, and some rubbish bags. These ropes also hold the artists, and the audience can interact with these ropes and pull the performers and the objects as they wish. It is almost as if they have a remote control to command the performance.</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">One cage with a living white rabbit is free among the other tied objects. On the stage there is also a stopwatch on stage timing the performance.</span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Within the pulley system/spider web the artists represent symbols of moral, social, religious constriction and denial of freedom, in which the audience has an active role and a possibility to move and transform the performance.</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo: Christian Fusco</span></div>
l.c.http://www.blogger.com/profile/09481370088149512980noreply@blogger.com